AJE-Glass-Craft-Expo-4

Glass Craft Expo!

November 18, 2014 , In: Events, General, Glass, Metalsmithing
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One of my goals for 2015 was to expand my teaching venues beyond Roadhouse Arts – and I was a little nervous about it, because there are some seriously awesome teachers out there. (You know that little voice in your head that wonders how you measure up? Yeah. Me too.) After a lot of back and forth, my friend and business partner Gail Stouffer finally suggested that I send applications in to Glass Craft Expo, and come up with some projects that would introduce metalwork to a very glass-oriented audience.

So I did.

And all four classes were accepted.

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(Yes, I was a little excited.)

I had never sent teaching applications out because I was intimidated by what I thought the process was going to be, but it turns out to have been a lot easier than I expected. I spent some time imagining what metalworking techniques might be of interest to someone who loves glass, based on some of the things I learned in the first year I worked with glass. Putting myself in the shoes of prospective students is one of the things I do regularly when I’m developing my regular projects and classes, so this didn’t feel particularly alien to me – but I also asked glass artists I know (especially my friend Gail Stouffer!) what they would want to know if they were just starting out with metals. Then I wrote up the descriptions, put together the sample projects and snapped some photos.

Classic Glass: Bezel Setting Cabochons

Bezel setting is one of those things beginning metalsmiths generally find very intimidating – I was one of them. There is very little that I find more rewarding that watching someone in that mental place achieve success with this technique – and all with a culinary torch, even with larger pieces.

Sticks and Stones: Prong Setting

Making organic prong settings for flat-backed cabochons is easier than it looks, and the results can be quite dramatic. It can also be done with a simple culinary torch, which makes it a terrific technique for the “kitchen table” jewelry maker.
This is a simple, uncomplicated cuff that combines some very useful techniques for people just starting out with metal: annealing and forging copper, drilling holes in glass cabochons, texturing and cutting metal, and creating and setting rivets out of copper wire.

I love this one! Some simple texturing and basic soldering techniques yields a unique, customized bail that can be added to any cabochon or pendant with a front-to-back hole.

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I am so excited – and a little nervous! – about teaching at such a huge venue. I am sure I’ll have some tips and lessons learned after I’ve actually done the teaching part, but for now I’m working on making all the glass cabochons I’m going to need. And if you’re going to be in Las Vegas next April, I’d love to see you – make sure you stop in and tell me you’re part of the AJE community!
Until next time –

Francesca Watson

Francesca Watson got bit by the jewelry-making bug in 2008, when she and a few girlfriends took a simple stringing class at a local bead shop. Now, she is co-owner of The Makery, a working and teaching studio and gallery in the Texas Hill Country outside San Antonio where Francesca creates and teaches metals, wire and enameling full time, and indulges an emerging interest in mixed media. She and her husband Nick have been married since 1989 and have one grown daughter.
  1. Reply

    I bet your classes are going to be great. I love the examples and you are very talented!

  2. Reply

    Congratulations Francesca on getting all four of your classes accepted. They all look appealing to me.

  3. Reply

    You are so creative my friend, they are all beautiful!! I would love to take any of these classes with you!!!

  4. Reply

    Congratulations! I'm sure they will all be well received!

  5. Love the cuff! Excellent!

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